查理和布(bù )希這(zhè查理和布(bù )希這(zhè )兩名熱衷靈(líng )異事(shì )件(🗾)的追鬼狂(kuáng )熱(📋)者，只要哪裡鬧(🚶)鬼就能見到他(📿)們的(de )身影。兩人對於(yú )全美最凶的靈異(yì )地點「悲慘山」公(🥧)路深感著迷，當(💥)然不可能(néng )輕(🌆)易(yì )放過(guò )這(🎟)個捕捉鬼(guǐ )影的(de )難得機會。而兩(liǎng )人在抵達當(dāng )地後(hòu )，也接(🤧)連目(mù )睹各(gè(🐘) )種離奇詭異(yì(🐡) )的超(chāo )自然現(🕙)象。
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.
一名(míng )男子(zǐ )不滿一樁冤(yuān )獄案(àn )件的發(💸)生，私自(zì )綁架(📜)審判該(gāi )案的(🈂)(de )法官，將其(qí )囚(🏚)禁於地下室，並錄影開直播，公開質疑其判決有誤(wù )，要求社會(🆒)大眾(zhòng )對其進(😄)行公審並(bìng )投(🕕)票，然而最終(zhō(✊)ng )的結果，會(huì )因此(cǐ )撼動程序正義嗎(ma )？
麦(mài )子的丈夫马(mǎ )豆(🚳)根(gēn )在煤矿事(🐝)故(gù )中受(shòu )了(👪)伤，完全(quán )瘫痪(🈚)(huàn )不能治愈，由此(cǐ )引发出麦子跟马(mǎ )豆根(gē(🎤)n )和矿主老于(yú(👦) )之间(jiān )充满悬(🌏)疑色(sè )彩的(de )一(🔥)场人性较(jiào )量，麦子用她的(de )坚贞和执着发现了美丽谎言背后(🏛)的真相，她对未(🐘)来的(de )生活也不(🙎)知会做(zuò )出怎(💶)样的选择。
东国公主五鹿飞(fēi )凰，为报杀父亡(wáng )国之仇，入宫接(😎)(jiē )近北(běi )耀国(🖤)王炎漠(mò )，却(què(💶) )被炎漠生死(sǐ(🧣) )兄弟(dì )离山识破。飞凰(huáng )设计让炎漠(mò )爱上(shà(🌺)ng )自己并离间炎(🎱)漠(mò )离山(shān )，导(📤)致离山(shān )受刑(🔪)(xíng )。后离山找(zhǎo )炎漠(mò )寻死，离山(shān )被杀(shā )。炎漠得知(zhī )真相后(🎰)挥刀自尽，飞凰(👩)登基称王。
胡广(😅)川打赢一场合(⛳)(hé )同违约案，败诉(sù )公司收到匿名信(xìn )，指出胡广川收(shōu )买证(🈸)人作伪证。胡广(🕐)川百口难辩(bià(🗺)n )，二(èr )审裁决伪证(zhèng )罪成(chéng )立，律师执(zhí )照被(bèi )吊销。恰逢(féng )黄(💚)薇(wēi )取得正式(⚾)律(lǜ )师资(zī )格(🛴)，她深信胡广(guǎ(🚡)ng )川的(de )职业操守，决定(dìng )孤掷一注代(dài )替胡(hú )广开庭
1995年，Jonas是个(gè(💫) )躲在柜中的(de )14岁(🦉)男孩，他对英俊(🔤)潇洒的同学Nathan一(😽)见钟情，尤其对Nathan桀骜(ào )不驯的一面又爱(ài )又怕。18年后，三(sān )十而(👣)立的Jonas已是风(fē(🚍)ng )流倜傥的熟男(🤾)，却仍在寻找人生(shēng )平衡(héng )点，因为挥(huī )之不(bú )去的回忆阴(yī(🌴)n )影，他回到睽违(🥍)(wéi )已久(jiǔ )的家(🍒)乡，试(shì )图在(zà(🍹)i )每个记忆角落，寻找(zhǎo )早已失去的(de )线索(suǒ )、14岁的自己(jǐ )，以(yǐ(💲) )及他曾经爱(à(🏨)i )过的(de )那个男孩(🆎)…
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
藝術家自古(🕷)皆寂寞或許是境界，人到中年萬事憂則是(shì )現實。在畫室洋(yá(🎖)ng )洋灑灑呈現自(🛐)由(yóu )雄風的裸(🏚)男畫作(zuò )令他一舉成名，在家面對前妻懷(huái )着新(xīn )歡骨肉、(🔪)與(yǔ )女兒(ér )相(➰)處尷尬卻(què )令(✳)他(tā )一籌莫展(🐳)。貝蒙(méng )特的寂寞，在於(yú )如何在著名畫家(jiā )與單(dān )親爸爸雙(🙍)重(chóng )身份(fèn )、(🛤)藝術創作(zuò )與(🍨)家(jiā )庭生活之(✒)間(jiān )取得(dé )平衡。維羅(luó )（《電影就在街角》，35 屆）找來合作多年(🆒)的編劇兼美(mě(🐃)i )指好友對號入(🎷)座(zuò )，還原藝術家有(yǒu )血有肉的矛盾本(běn )性，在出世與入(rù )世(📃)的兩難外，毋(wú(😛) )忘點(diǎn )點超現(🥂)實的(de )幽默(mò )。
“NO BORDER 2D×(🎣)3D” をキャッチフレーズに掲げ、2Dと3Dの境目(mù )をなくすクリエ(🍔)イティブな活(🌾)動(dòng )を目(mù )指(😡)す３DCGプロダク(🈳)ション“Picona Creative Studio”。本(běn )作はどんなものでも捨ててみせるゴミ捨て屋(🎥)コンビと、魔(🌄)法を捨てたい(🐄)魔女が繰り広げる、ファッション× ポップ× アニメをキ(🐽)ーワードに魔(🀄)(mó )法と科学を(📅)絡み合わせた(🏘)スラップスティック・アニメーション。同(tóng )社が長年温め(🤐)てきたオリジ(👝)ナル企画(huà )が(🤾)、ついに実現(☕)(xiàn )！详情
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