1891年，后(🏖)(hòu )1891年，后(🏖)(hòu )印(yìn )象派大师保(bǎo )罗·高(gā(😺)o )更在(🛍)巴(bā(🍲) )黎(lí(🐛) )的艺术圈已(yǐ )小有名(míng )气，但(dà(🍌)n )为文(🗯)明社(⏩)会的虚伪与(yǔ )矫情感(gǎn )到厌烦(🐀)。对于(💓)原始(👸)世(shì )界的渴(kě )望驱使他离开家(⏹)中(🎲)妻(📢)(qī )小(🕡)，来(lái )到南太平洋的大溪地(dì )；(🈯)准备(📱)(bèi )好(🚝)为追(🔤)寻已久的自然(rán )、野性(xìng )、纯(⏰)粹的(🎹)生活(👎)与创作(zuò )环境牺(xī )牲一切。忍受(⏩)着(👗)经(🌴)济(jì(🔭) )上的贫(pín )困和精神上的孤寂，高(🐍)更走(🥃)(zǒu )进(🎞)丛林(⛹)(lín )深(shēn )处，认识了(le )当地的(de )毛利人(🏴)(rén )，邂(✈)逅了(🏸)原住(zhù )民女孩(hái )德胡拉(lā )；一(🗄)段三(🛴)角关(🥘)係也若(ruò )隐若现(xiàn )地缓缓浮出(🦑)。这(🍔)座(⛏)远(yuǎ(📤)n )方岛屿(yǔ )彷佛是他灵魂的故土(🐠)(tǔ )，此(🚁)处(chù(🕑) )充满(🕯)生命力的人物面(miàn )貌与地(dì )景(⬇)线条(📧)都成(🎙)为他的缪(miù )思，激(jī )发他创作出(🎅)艺(🤰)术(🦀)生涯(🍄)(yá )中最具(jù )标志性的大师之作(🚸)。
拳王(🔃)再(zà(🐞)i )度重(✈)出江湖 地下赌场(chǎng )风云再(zài )起(🦕)
在《绑(💏)(bǎng )架(🤓)王公子1》之中，大狸子(zǐ )爵(jué )士惨(🙍)遭(🤨)王(🍤)某(mǒ(🚅)u )人格侮(wǔ )辱。续(xù )集中，大狸子密(🚠)谋了(🥧)(le )一场(📶)骇(hài )人听闻的谋杀案......
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
保罗(luó )载着无(📔)(wú )忧(🏰)无虑(🧝)身患绝症的兄(xiōng )弟艾略(luè )特，踏(💠)上了(🗂)去往(🚚)加州(zhōu )猛犸 山(shān )的告别之旅。而(⏱)艾(🤴)略(✝)(luè )特(🖖)计划(huá )着在猛犸山按照“尊(zūn )严(🚜)死亡(🎞)(wáng )法(😜)案” 来(♊)结束自己的(de )生命。保罗不仅承受(⚡)着极(🙅)大(dà(🐈) )的悲痛(tòng )，还要承(chéng )担起家 庭的(🏗)(de )责(🗻)任(🤒)。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.详情
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