1891年(nián )，后(🧜1891年(nián )，后(🧜)印(🛄)象派大(🏟)师保(bǎo )罗·高更在巴黎(🏨)(lí )的艺(🚽)术(🏳)(shù )圈(🦏)(quān )已小有名气，但(dàn )为文明社会的(🏠)虚伪(🔀)(wě(🍵)i )与矫情感到厌烦(fán )。对于原(yuán )始世(🕐)界的(😃)渴(🚷)望驱(qū(💩) )使(shǐ )他离开家中妻小(xiǎ(💐)o )，来到(dà(🥡)o )南(👅)太平(🕯)洋(🌡)的大溪地(dì )；准备好为追寻(xú(🔶)n )已(🧞)(yǐ )久(🗽)的自然、野性(xìng )、纯粹(cuì )的(de )生活(🛐)与创(🖕)作(💡)环境(jì(♏)ng )牺牲一切。忍受(shòu )着(zhe )经济上的贫(🔍)困(💜)和(hé )精(👟)神上(shàng )的(de )孤寂，高更走进(🈺)(jìn )丛林(🚐)深(🏣)处，认(🌨)识了(le )当地的毛利人，邂逅了(le )原(yuán )住(🤯)民女(🐩)孩(🚲)德胡拉(lā )；一段三角关係也(yě )若(✖)隐若(🛷)现(🚈)地缓缓(🐱)(huǎn )浮出。这(zhè )座远方岛屿(〰)彷佛(fó(🌲) )是(🦈)(shì )他(🥇)灵(🕧)魂的故土，此处充(chōng )满生命力的(🐿)人(🐎)物面(💵)(miàn )貌与地景线条都(dōu )成(chéng )为他的(😈)缪思(🍬)，激(🦊)(jī )发他(✍)创(chuàng )作(zuò )出艺术生涯中最(zuì )具(🥗)标(⌛)志性的(🐡)大师(shī )之(zhī )作。
狂犬―そ(🤚)れは時(🌮)代(🏌)(dài )を(🍴)生きた一匹の男(nán )の物語。生涯負(🚆)けな(😤)し(🐋)のステゴロの帝王(wáng )・鰐淵市蔵(🍒)が日(🦋)本(🌘)(běn )最大(🍮)組織・大和組(zǔ )に戦争(🍺)(zhēng )を仕(📸)掛(👺)ける(⏹)!!
On a weekend getaway at a rundown cabin in the woods, Jason, a cautious teen, his crude best friend Colin and his fearless older sister Summer are forced to work together, grow up and save their hard partying parents from their predatory neighbour (Lauren Holly) who is intent on feeding them all to her undead family…(✊)
在两(liǎng )轮服役后，乔在(zài )等(děng )待(🔑)战(🥢)后综(🐉)合症治(zhì )疗的过(guò )程中正常生活(🙆)逐渐(💊)(jià(🍮)n )瓦解
《寺(🏺)岛》：刚(gāng )刚拿到第一个连(lián )载(🐌)的(📜)漫(màn )画(🔏)(huà )家山崎（峯田和(hé )伸(🚈) 饰），因(🚕)为(👬)助(zhù(🧢) )手(shǒu )突然走掉而疲于(yú )奔命。某(mǒ(⛳)u )个下(🤤)雨(😗)的日子，自称寺岛的女子（吉冈里(🐘)帆 饰(🎀)）(🥝)前(qián )来(🍑)担任(rèn )助(zhù )手职务。作为(☕)创(chuàng )作(😬)素(🐚)材，寺(➡)岛(👬)向漫(màn )画家讲(jiǎng )述了一个(gè )可(🛶)怕(😖)的故(👊)(gù )事。
馬賊入村劫(jié )掠(luě )，九歲男孩(👩)從此(👒)(cǐ(🌻) )失去母(📵)(mǔ )親。親戚接他到異(yì )鄉居住，新(😳)生(📫)活(huó )真(💾)(zhēn )的在前面等着驚(jīng )魂(♈)未定(dì(🕍)ng )的(😅)(de )他？(🐇)遠山連 綿，林徑迂迴，故事彷(páng )彿於(🦂)路的盡(🕜)頭開(kāi )始了，無(wú )緣無故在轉角暫(⛹)(zàn )時(😧)消(⏬)失，拐了(🍟)一個(gè )彎又重現。夢境(jì(🚎)ng )和現實(🤸)界(♟)(jiè )線變(📿)得模糊之際(jì )，男孩所能緊緊擁(👼)(yō(😟)ng )抱的(🐯)，只是亡母(mǔ )告訴過他(tā )的神話故(🚩)事，關(😇)(guā(🍾)n )於(yú )受詛咒的憤怒復(fù )仇之神(shén )馬勇(🍮)，關(⛓)於不知(💢)不(bú )覺間緩慢而實在(zà(🏐)i )的(de )成長(🤚)。佩(😗)舒彭(🎑)德(dé )拉辛格(gé )的(de )第二部作品，處(chù(👃) )處閃現(😅)薩耶哲雷、杜魯福和域陀艾(ài )里(🔜)斯的(🥥)(de )光(⛲)(guāng )影風(👌)格，滲透在(zài )黑白之間，純(🐿)粹的(de )美(🎺)，複(🍌)合的痛(🎴)。
影片讲述(shù )了由一场百年不(bú(👉) )遇(🕕)的特(👩)大洪水而引(yǐn )发的空(kōng )前劫难，洪(🎭)水过(👣)后(🛌)(hòu )历史上罕见的骨(gǔ )髓(suǐ )灰质炎症（(🚸)小(🕢)儿(ér )麻(🏏)痹症(zhèng )）瘟疫般地在小(😰)城(chéng )蔓(⚡)延(🏆)开来(🔢)，范(♒)围(wéi )波(bō )及小镇1000多个家庭(tíng )。党(🥊)员(yuán )张(🕝)(zhāng )保和在妻子的支(zhī )持下开始帮(💲)助这(💶)些(🐷)(xiē )骨髓(🕖)灰质炎患儿(ér )，身受(shòu )病(📮)(bìng )痛折(🚍)磨(🐍)的孩子(🗺)们(men )在无数次的艰难拼(pīn )搏中夺(🆕)取(😹)残奥(🎲)桂(guì )冠，谱写(xiě )了一首时代赞歌(gē(🐬) )。电影(🏑)以(🥊)来自江苏(sū )省徐州(zhōu )市邳州的(de )“梦之队(😱)(duì(🌰) )”（2008年国(🛤)际残奥(ào )会(huì )上，“梦之队(⭕)”夺得了(🔍)(le )6金(💁)2银1铜(🈸)）(🍿)成长的环(huán )境、经历为蓝本(bě(🐀)n )，讲述发(🧚)生在上世(shì )纪80年代(dài )的(de )一个成长(🌁)、励(🎱)志(🔬)(zhì )、奉(🛁)献、感人的真(zhēn )实故事。
对于威(🏃)(wē(🏓)i )斯特与(🧠)(yǔ )他(tā )的搭档来说，近(jìn )日道上(🤒)的(✈)纷扰(🏇)看起(qǐ )来就像是一般的(de )黑帮地盘(📬)(pán )斗(💌)争(🤜)，但随著警(jǐng )方派出的卧底被逮(dǎi )，头号(🎓)(hà(🔹)o )黑帮索(🍸)斯(sī )开始大肆(sì )活动，一(🤠)一夺取(📑)(qǔ(🙏) )其(qí(🌇) )他(👨)势力拥有的神(shén )秘物件(jiàn )，他们(🥇)才意识(🛴)到有(yǒu )人企图夺取神一(yī )般(bān )的(🎼)超自(😜)然(✉)力量，破(🤜)坏现(xiàn )有(yǒu )的势力平衡。
On a remote island off the west coast of Scotland in 1846 a heavy storm hits, causing a ship to sink. Three survivors row through a thick early morning mist, lost and disorientated. The mist begins to clear and The Isle appears before them. They soon discover that it is almost abandoned except for four sole residents: an old harbour man, a farmer, his niece and a young mad woman. Once rested and recovered the sailors are desperate to leave and return to the mainland, but the promised boat never appears. One of them starts to investigate and learns of a tragedy at sea that occurred five years previously causing several young men from the island to perish. When his two shipmates meet with accidents, the myth of a ghostly siren haunting the island leads him to uncover the truth whilst he battles to save his own life.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.详情
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