Aom is haunted by Aom is haunted by horrible nightmares which can’(👹)t be named & explained, she gets sicker everytime she got the nightmare. During her visit to her 80 years old grandma, she find out that, her grandma who looked more dead than alive, is hosting and feeding a ghost.
Joy Holbrook is an intuitive market researcher in DC who has captured the attention of the account's CEO and is about to get a sweet promotion, just in time for the holidays. She receives an urgent phone call from home and she rushes back to Crystal Falls, NC to help her Aunt recover from surgery and is reunited with her former crush, Ben. To keep her Aunt focused on healing, Joy volunteers to take Ruby's place with the town's legendary baking competition, the "Cookie Crawl," much to the amusement of Ben who knows Joy has absolutely no idea of the Herculean task before her. Though Joy initially refuses Ben's attempts to "co-captain," she begins to soften and let him in, all the while remembering that there truly is no place like home.
本片讲述了女主角之(zhī )间(jiān )的竞(🔩)技(🥄)对(🤼)决和(hé )爱情(qíng )纠(jiū(✏) )葛的故事,在(🕡)生(😻)与(⏱)死(sǐ )、爱与恨、真相与谎(huǎng )言(yá(🖋)n )中(📧)她(🛺)们所发生的不可(kě )思议的人生(🔘)转(😷)变(🎯)。
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.
When a couple visits a remote cabin and cross paths with a compulsive liar, their vacation takes a dramatic turn for the worse.
好(hǎo )莱坞一代人(⭐)物追寻难(nán )以(🏕)捉(📐)摸的GT 390
Alex, 43 ans, est dépanneur automobile dans le garage que dirige d'une main de fer sa mère. Un jour, il dépanne une jeune femme et passe la nuit chez elle, mais au petit matin elle a disparu lui laissant sur les bras trois enfants.
藝術(shù )家(jiā )自古皆寂(🍹)寞(💋)或(🔇)許是境(jìng )界,人到中年萬事憂(yō(🏾)u )則(🌦)(zé(📅) )是現實。在畫(huà )室洋(😟)洋(yáng )灑灑呈現(🐄)自(📧)由雄風的(de )裸(luǒ )男畫作令他一(yī )舉(🌝)成(🏼)名(👲)(míng ),在家面對前妻懷(🦄)着(zhe )新(xīn )歡骨(🏼)肉(🍤)、(🈯)與女(nǚ )兒相(xiàng )處(chù )尷尬卻令他一(🧗)籌(🍣)莫(🎼)展(zhǎn )。貝蒙特的寂寞(mò ),在(zài )於(yú(😀) )如(🍎)何(🚱)在著名畫家與單(dā(🎣)n )親爸爸雙重身(🤣)份(🥉)、藝(yì )術(shù )創作與家庭生活之間(🎓)(jiā(🥜)n )取(😯)得平衡。維羅(《電(diàn )影就在街角(🏁)》,35 屆(🚑))(🚋)找來合作多年的編(🚒)劇(jù )兼(jiān )美指(🗞)好(🚭)友對號入座,還原藝術家有血有肉(🌩)(rò(🍴)u )的(🦆)(de )矛盾本性,在(zài )出世(🐂)與(yǔ )入世的(🍊)兩(⛔)難(🐹)外,毋忘(wàng )點(diǎn )點超現實的幽(yōu )默(🐼)。详情